{"id":505,"global_id":"julian-behr.de?id=505","global_id_lineage":["julian-behr.de?id=505"],"author":"1","status":"publish","date":"2025-12-12 10:27:02","date_utc":"2025-12-12 09:27:02","modified":"2025-12-12 10:27:02","modified_utc":"2025-12-12 09:27:02","url":"https:\/\/julian-behr.de\/?tribe_events=konzert-brummen-und-blassen-so-26-10-2025-2-2","rest_url":"https:\/\/julian-behr.de\/index.php?rest_route=\/tribe\/events\/v1\/events\/505","title":"H\u00e4ndel Wassermusik mit dem Freiburger Barockorchester (copy)","description":"

Rolf-B\u00f6hme-Saal<\/p>\n

Georg Friedrich H\u00e4ndel<\/strong>
\nWassermusik Suiten I \u2013 III HWV 248 \u2013 350
\nTriosonate G-Dur HWV 399
\nConcerto f\u00fcr Oboe g-Moll HWV 287
\nConcerto \u00e0 4 d-Moll<\/p>\n

Daniela Lieb<\/strong> Fl\u00f6te<\/em>
\nAnn-Kathrin Br\u00fcggemann<\/strong> Oboe<\/em>
\nFreiburger Barockorchester<\/strong>
\nP\u00e9ter Barczi<\/strong> Violine & Leitung<\/em><\/p>\n

Manchmal darf\u2019s auch etwas mehr sein \u2013 das dachte sich wohl K\u00f6nig George I., als er am 17. Juli 1717 um 20 Uhr zu einer prachtvollen Fahrt auf der Themse einlud. Der Fluss soll nahezu vollst\u00e4ndig von Schiffen adliger G\u00e4ste bev\u00f6lkert gewesen sein, die sich von Whitehall nach Chelsea begaben und dabei auch musikalisch unterhalten wurden. F\u00fcr dieses au\u00dfergew\u00f6hnliche Ereignis beauftragte der K\u00f6nig eigens Georg Friedrich H\u00e4ndel mit der Komposition einer passenden Begleitmusik f\u00fcr die Schifffahrt, und dieser verfasste sogleich seine inzwischen weltber\u00fchmte Wassermusik<\/em>.<\/p>\n

Damit die Musik auch auf allen Schiffen gut zu h\u00f6ren war, wurden nicht weniger als 50 Musiker engagiert, die mit H\u00f6rnern, Trompeten, Fl\u00f6ten, Oboen und vielen anderen Instrumenten f\u00fcr eine imposante Klangf\u00fclle sorgten. Dem K\u00f6nig gefiel die Musik so gut, dass er Teile davon gleich auf der R\u00fcckfahrt noch einmal auff\u00fchren lie\u00df.<\/p>\n

Mit \u00fcppig besetzten Werken wie der Wassermusik<\/em> begr\u00fcndete H\u00e4ndel seinen Ruf als Meister monumentaler Kompositionen. Doch der Londoner Komponist beherrschte auch intimere T\u00f6ne, etwa in seiner Triosonate in G-Dur HWV 399 mit ihrer herrlichen Passacaglia oder in dem farbenreichen Concerto \u00e0 4 d-Moll, das lange Zeit Georg Philipp Telemann zugeschrieben wurde.<\/p>\n

\n

Kostenloser Einf\u00fchrungsvortrag um 18.15 Uhr im Rolf-B\u00f6hme-Saal.<\/p>\n

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